In April 2001, upon being invited to a collective cultural project commemorating the centennial anniversary of the Philippine-American War, Alfredo Esquillo joined his fellow contemporary Filipino artists based in the United States. Being a member of Sakay art group, Esquillo recalls it was even before the age of Google, there was an overwhelming wealth of available materials having accessed to primary sources in the US. While doing their respective researches, Esquillo remembers they were being so fuming mad as they were eager to get back at our colonizers through their realist brushstrokes.
Being physically on American soil, nationalist fervor was even at its highest. Esquillo’s task was to do commentary portraits he is versed with, of well- known imperialist personalities during that historic period. Esquillo frequented the Los Angeles library where he was able to have access to a high resolution of a fiercely looking US President William Mckinley. He also chance upon a cuddly Victorian portrait of a Mother and Child. After three days, Esquillo as a creative respite, saw an opportunity to merge two images by doing a window cutout with the face of President Mckinley peering out while clasping by his colonial claws upon a Filipino baby in his tow. Esquillo produced what would become one of his signature masterpieces, MaMcKinley was created.
-Jay Bautista