Exhibits 2022

Kapit Lang exhibition at the Eskinita Art Gallery are recent paintings by Miel dwelling deeper in our ongoing cultural quagmire. Doubly interpreting the imperial cross as false faith in the name of religion as against the inverted sword to connote kapit sa patalim, Miel essays our clinginess to our adapted dubious habits to blatant corruption and evil ways either way brought about by long years of Catholicism just to achieve our shady ends.

-Jay Bautista

Bodies is an exploration on the significance of the human form in the expression of creative language. The nude as a form of visual art focusing on the unclothed human figure has been a prevalent theme in Western art since classical antiquity.

-Dave Lock

Isko Andrade’s interest in art emerged from a faint childhood memory of one of his sisters, who was then finishing her coloring assignment, as he gazed at her with so much awe and wonder.

Comprising of 9 works, Andrade paints the essence of a person by using striking objects that mirror their behavior, interests, attitude, as well as their emotional and cognitive patterns.

-Janine Dimaranan

This exhibition features works that express a visual dialogue on one's inner self and how it interacts with its environment to create a vortex of spiritual healing.

-Dave Lock

This exhibition explores how the general atmosphere of a place can interact with an individual's naturally flowing, artistic stream of thought.

-Dave Lock

Mulling over a different view of the domestic and domesticity, visual artists Lena Cobangbang and Yasmin Sison pair up and present works that are grounded in what has been more or less their everyday at home, exploring the various dimensions of seemingly mundane pandemic/post-pandemic adaptations.

-Koki Lxx

Eskinita Art Gallery invites you to 'RIZALCHISM’, an exhibition featuring Alfredo Esquillo, Alwin Reamillo, Anthony Victoria, Chad Montero, Ioannis Sicuya, Jon Red, Robert Besana, Raul Rodriguez, and Rai Cruz

-Ioannis Sicuya

Muted Musings weaves a serious contemplative mood in its bespoke conscious play of colors and illustrations--something that induces one to look long and hard at a blank canvas while germinating a fertile imagination or a fragile emotion of the youth of today.

-Jay Bautista

Because of their profound impact on how society is shaped, artists have always been regarded as the vanguard of social change and progressive reform. And now more than ever, as we are facing the twilight of a make or break system of governance, artists can only do so much to make sure that we gravitate towards a leader that recognizes and respects our individual rights and civil liberties.

-Dave Lock

Loss, suffering, and catastrophes are all primordial experiences of a man. Humans have their own encounters of these – they can be heavy and are often personally overpowering. Marvin Quizon’s solo show embodies this apocalyptic arena and its aftermath.

-Karen Tesalona

‘The Light at End of the Tunnel’ is an exhibition that puts together recipient artists from different batches of Eskinita's Tuklas Discovery Program which includes Ben Albino, Beatriz Yu, Denmark dela Cruz, Tamer Karam, Rachel Anne Lacaba, Orland Espinosa, and Macouy Gonzales. The show attempts to create a dialogue on the effect of our current social structure on the manifestation of creative ideas and how the recent turn of events has influenced their creation.

-Dave Lock

 

For visual artist Elbert Caballero, painting has been a lifetime vocation-- often tedious obsession and exacting discipline--to practice on a daily basis. It is art since it allows him the freely draw realistic figures he so adores; It is also a science permitting him to create a technical illusion of colored optics to be viewed from afar.

-Jay Bautista

In Gerry Joquico Jr.’s Ode to the Past, “the artist attempts for the audiences to revisit a world seemingly different from what is known now, with the intention to warn of some actions’ consequences, to re-experience beauty, and to instill the reverberating actions a single person can cause to the course of history..”

-Karen Tesalona